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Manfredini, Francesco Onofrio: CONCERTI GROSSI torrent


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Manfredini, Francesco Onofrio
(b Pistoia, 22 June 1684; d Pistoia, 6 Oct 1762). Italian composer. His father, Domenico, was a trombonist at Pistoia Cathedral from 1684. Francesco studied music at Bologna in his youth, taking violin lessons from Torelli and lessons in counterpoint (at that time virtually synonymous with composition) from Perti. Shortly before 1700 he left for Ferrara, probably because of the dissolution of the S Petronio orchestra in 1696. In Ferrara he became first violinist at the church of the Holy Spirit. On returning to Bologna in 1703 he joined the reconstituted orchestra, initially as an occasional violinist and from 1709 to 1711 as a regular member. In 1704 he was admitted as a player (suonatore) to the Accademia Filarmonica. His first publication, a set of 12 chamber sonatas entitled ‘Concertini’, dates from the same year. There is evidence of a visit, or at least a planned visit, to Venice in February 1707, for the accidental death by drowning of his colleague Giuseppe Aldrovandini occurred as he was on his way to join Manfredini before the latter's departure.

In 1711 Manfredini became attached to the court of the music-loving Antoine I Grimaldi, Prince of Monaco, where he was active as a composer and performer of instrumental music. Five children were born to him in the principality between 1712 and 1723. During this period he maintained close contact with, and perhaps sometimes visited, Bologna, where his op.3 concertos were published in 1718 and two oratorios were performed a little later. In 1724 he moved to Pistoia to become maestro di cappella at the cathedral. During his tenure of this post, which lasted until his death, he emerged successful from many disputes with the cathedral chapter and with the musicians under him. In Pistoia Manfredini had the opportunity to continue his activity as a composer of oratorios, which were performed at local churches, in addition to writing many sacred works for liturgical use at the cathedral and elsewhere.

Although Manfredini was clearly a prolific composer, only his published instrumental music, together with a handful of other instrumental works in manuscript, survives. The loss of his nine known oratorios is especially unfortunate. His idiom is firmly Bolognese in character and resembles that of Torelli, B.G. Laurenti, Perti and other members of the school associated with S Petronio, though his music lacks the stamp of a forceful personality and in that respect is inferior to Torelli's. Venetian influence has been discerned in his use of unison writing, and the op.3 concertos did not go unmarked by Vivaldi, despite their greater debt to Torelli. The ending of both the op.2 Sinfonie da chiesa and the op.3 concertos with a Christmas pastorale (whose Torellian antecedent is only too patent) deserves mention. These so-called ‘sinfonie’, with an optional viola part, are ordinary church sonatas; the ‘solo’ or ‘soli’ cues in the violin parts merely tell the player that his part is momentarily exposed. The best of Manfredini’s instrumental works are the six sonatas published in London in 1764 (but not necessarily composed late in the composer's life). These are worthy examples of the ‘mixed’ type of sonata juxtaposing church and chamber elements that became normal after 1700.

WORKS
instrumental [12] Concertini per camera, vn, vc/theorbo, op.1 (Bologna, 1704)
1 trio sonata in Corona di dodici fiori armonici (Bologna, 1706)
[12] Sinfonie da chiesa, 2 vn, bc (org), va ad lib, op.2 (Bologna, 1709)
[12] Concerti, 2 vn, bc obbl, 2 vn, va, b, op.3 (Bologna, 1718)
Six Sonatas, 2 vn, vc, bc (hpd) (London, c1764)
Concerto a 4 con oboe e violini, A-Wn
Concerto con una o due trombe (1711), I-Bsp
Concerto, vn solo, 2 vn, va, vc, hpd, GB-Mp

oratorios
music lost
S Filippo Neri trionfante nelle grotte di S Sebastiano di Roma (G.B. Neri), Bologna, 1719; Pistoia, 1725
Tomaso Moro (Neri), Bologna, c1720; Pistoia, 1727
Il doppio sacrifizio del Calvario (cantata sacra), Pistoia, 1725
La profezia d'Eliseo nell'assedio di Samaria (Neri), Pistoia, 1725
Salomone, assicurato nel soglio (D. Canavese), Pistoia, 1725
Discacciamento d'Adamo e d'Eva dal Paradiso terrestre, Pistoia, 1726
Il sacrifizio di Gefte (Neri), Pistoia, 1728
Il core umano combattuto da due amori, divino e profano (Neri), Pistoia, 1729
Golia ucciso da Davidde, Pistoia, 1734

BIBLIOGRAPHY
RicciTB
ScheringGIK
G. Rospigliosi Notizie dei maestri e artisti di musica pistoiesi (Pistoia, 1878)
L. Fagni Vicende della vita pistoiese di Francesco Manfredini, 1724–1762 (diss., U. of Florence, 1967)
A. Schnoebelen The Concerted Mass at San Petronio in Bologna, ca. 1660–1730: a Documentary and Analytical Study (diss., U. of Illinois, 1967)
U. Pineschi ‘Precisazioni biografiche su Francesco Manfredini’, Bolletino storico pistoiese, 3rd ser., iii (1968), 135–6
G. Favre ‘Un prince mélomane au XVIIIe siècle: la vie musicale à la cour d'Antoine Ier, Prince de Monaco (1661–1731)’, RdM, lvii (1971), 134–49
J. Grundy Fanelli A Chronology of Operas, Oratorios, Operettas, Cantatas and Miscellaneous Stage Works with Music performed in Pistoia 1606–1943 (Bologna, 1998)
J. Grundy Fanelli ‘The Manfredini Family of Musicians of Pistoia, 1684–1803’, Studi musicali (forthcoming)
MICHAEL TALBOT

© Oxford University Press 2007
MICHAEL TALBOT: 'Manfredini, Francesco Onofrio', Grove Music Online (Accessed 03 November 2007),

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