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Joanna Cotten-High Maintenance-(Advance)-2007-FM torrent


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Download Joanna Cotten-High Maintenance-(Advance)-2007-FM torrent




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Torrent Description
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| |
| Artist : Joanna Cotten |
| Album : High Maintenance-(Advance) |
| Bitrate : VBR kbps |
| |
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[Release Info]
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| |
| Label : WB Nashville |
| Year : 2007 |
| Genre : Country |
| Rip date : Sep-05-2007 |
| Store date : Oct-30-2007 |
| Size : 55,9 MB |
| |
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[Track List]
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| |
|Track Listing: |
| |
| 01 - The Prize 04:01 |
| 02 - Funkabilly 03:30 |
| 03 - High Maintenance 03:40 |
| 04 - Humble Town 03:40 |
| 05 - Grateful 04:10 |
| 06 - Hard To Want 03:02 |
| 07 - This One Burger King Town 03:00 |
| 08 - Miracle In Lee County 05:25 |
| 09 - Man In Trainin' 03:57 |
| 10 - Good Days Gone 03:43 |
| 11 - Keep My Faith 03:42 |
| |
| ÄÄÄÄÄ |
| 41:50 min |
| |
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[Release Notes]
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| |
| A sultry slide guitar, the lonely moan of a blues harp, the righteous |
| thump of a fatback bass and the sticky soulful rhythm of a Beale Street |
| backbeat … within the first few bars of the first song on High |
| Maintenance, her stunning debut release, Joanna Cotten lays it all out |
| like a slow ride down through the delta. Then she starts to sing, and |
| all heaven breaks loose. |
| |
| She calls her music "Funkabilly," and the appellation fits just right, |
| serving as both the title of her album's leadoff track and as a dead-on |
| description of Cotten's undeniable artistry – a heart-stopping mix of |
| God-given talent, flawless technique, and deep-down southern soul that |
| adds up to the most potent, pure-country voice to come out of Nashville |
| in a long, long time. By the time the song fades to a raucous, gospel- |
| drenched finale it's crystal clear – this girl was born to sing. |
| |
| "I have to sing for people, that's just the way it is," Cotten says, |
| setting her long blond hair in motion with a shake of her head. "It's |
| like a beast inside of me that has to come out, and it's been that way |
| since I was a baby girl." |
| |
| Born in Memphis and raised in the "one-Burger-King town" of Forrest |
| City, Arkansas, Cotten was pulling on her mother's skirt as a 4-year- |
| old, saying, "Mama, when I grow up, I'm gonna be a country singer." |
| Driven to distraction by her daughter's persistence, Cotten's mom |
| finally relented. |
| |
| "She said 'If you're serious, I want to do this right,'" the singer |
| recalls. "She took me to this lady named Gloria Borell 15 miles away in |
| Wynne, Arkansas, and she started teaching me breathing techniques, art |
| songs and hymns." |
| |
| Those initial voice lessons set the vocally gifted Cotten off on a |
| lifelong journey that would take her from local talent shows to the |
| Memphis' Grand Youth Opry and Rhodes College to Nashville's nightclubs, |
| all the way to New York City – where she attended the prestigious |
| Juilliard School – and then all the way back again. |
| |
| Even early on, Cotten's was a double life. She'd be rigorously |
| sharpening her classical skills on Tuesdays, but come Saturday night, |
| she, her mom and her Motown-loving grandmother would head to the |
| Arkansas Jamboree in Marianna where the youngster would hop on stage in |
| cowboy hat and boots to belt out barn-burning versions of her favorites, |
| from artists like Loretta Lynn, Jerry Lee Lewis, Lacy J. Dalton and |
| Connie Smith. |
| |
| "I remember one time when Gloria was trying to teach me what I was |
| singing about in one of the hymns," Cotten says. "She said, 'Now, Jesus |
| came down from heaven,' and I quickly responded, 'Yeah, but the devil |
| went down to Georgia!'" |
| |
| She was seven years old when her mother took her to Nashville for the |
| first time. |
| |
| "We went to Fan Fair, and it was like I had died and gone to heaven," |
| Cotton laughs. "I was such a fan, I chased Lee Greenwood's bus. It was |
| awesome." |
| |
| The trips to Music City became more and more frequent, and even then, |
| the singer was not afraid to turn on the attitude and make herself |
| known. She was soon a pint-sized, onstage regular at upscale local |
| showcases like the Stockyard. |
| |
| Closer to home, Cotten became a member of a group called the Memphis |
| Grand Youth Opry, performing every week on Beale Street and soaking up |
| the incredible variety of music that seemed to be coming out of every |
| doorway. Driving back and forth, it was country music all the way. |
| |
| "I grew up on country radio, but at that point in time it was Lee |
| Greenwood, and T. Graham Brown and horns," she says. "There really were |
| no boundaries." |
| |
| By the time she was in high school, music had become the driving force |
| in Cotten's life, and she graduated a year early to accept a scholarship |
| at Juilliard. |
| |
| "When I got my offer for a scholarship, it was like 'I'm not gonna live |
| my life saying I could have gone to Juilliard,'" she says. "'I'm gonna |
| go up there and see what it's all about.'" |
| |
| Even for a girl who was comfortable singing in Nashville and studied at |
| Memphis' Rhodes College, New York City was a whole other ball of wax. |
| |
| "There are so many stories about me going to New York, because I was |
| such a country girl," Cotten laughs. "But I went up there when the whole |
| 'Boot Scoot Boogie' thing was happening, so it was cool to be country." |
| |
| It may have been cool to be country, but singing country in the |
| conservatory just wasn't kosher. Cotten knew she was headed directly for |
| a career in classical music, but her heart kept telling her where she |
| needed to be and the kind of music she needed to make. |
| |
| "I needed to make a decision about what I wanted to do with the rest of |
| my life," she says. "I just called mom and said, 'I'm coming home.' But |
| going home to me was never Forrest City, Arkansas." |
| |
| "Burnt out" on singing, Cotten headed to Nashville and took a job as a |
| legal secretary, avoiding music all together until a friend, aware of |
| her incredible vocal gift, coaxed her onto the stage of Jack's Guitar |
| Bar, a now legendary local dive that served as an early creative |
| stomping ground for artists from Cotten to Keith Urban to Gretchen |
| Wilson. |
| |
| "I always used to close my shows with an aria, a cappela," she says. "So |
| I sang this aria and Jack just freaked. He comes up to me and says, |
| 'What's your favorite aria?' and I said ''Caro Nome' by Joan Sutherland, |
| and he said, 'It's on the jukebox.' He had that song on his jukebox! |
| From that point on Jack bent over backwards to help me." |
| |
| Cotten began singing regularly at Jack's, building a large and loyal |
| following. When Jack's closed up shop, she moved to another local club, |
| 3rd and Lindsley, and things continued to build. It was at the latter |
| venue that producer and future Warner Bros. CCO Paul Worley [Dixie |
| Chicks, Martina McBride] caught her act and vowed to work with her in |
| the future. Signing with EMI Music Publishing, Cotten was introduced to |
| EMI's Bruce Burch, who helped the singer develop her writing chops. |
| |
| "I started writing and that's when everything started falling into place |
| for me," Cotten says. |
| |
| The songs Cotten was writing reflected every aspect of her journey and |
| showcased the incredible range and depth of her singing voice – an |
| instrument that glides naturally and effortlessly from a molasses-sweet |
| moan to a skillet-greasy growl to a full-throated wail. |
| |
| Burch introduced her to the catalog of legendary Nashville tunesmith |
| Dennis Linde ["Burning Love," Calling Baton Rouge," "Goodbye Earl"]. |
| Hearing a kindred spirit, Cotton began to fully blossom as a songwriter. |
| |
| As her debut vividly demonstrates, Cotten has grown into a singer who |
| comes with, and who is inseparable from, her own compelling story. |
| |
| "I've got a gift that the world can't change or take away," she sings on |
| the album's debut single, "The Prize," as a thumping beat and a slamming |
| banjo drive the point all the way home. And every Cotten-penned song on |
| High Maintenance completes another chapter of her unique musical |
| journey, from the funky romantic frustration of "Hard to Want" to the |
| introspective and inspiring balladry of "Keep My Faith," all the way to |
| "Humble Town," a song that beautifully encapsulates the struggles of |
| Cotten and countless creative souls along Nashville's Music Row. Two |
| uncut gems from the Dennis Linde catalog, including the hilariously |
| evangelistic Elvis tribute, "Miracle In Lee County," pay tribute to the |
| late songwriter and round out this one-of-a-kind country collection. |
| It's been a long and winding path to her debut, and Cotten has grown |
| with every turn in the road. These days, with High Maintenance ready for |
| release, Cotten is chomping at the bit to introduce country fans to her |
| own, patented brand of "Funkabilly." |
| |
| "I can't wait," she enthuses. "Get ready to sink your feet down in the |
| Delta mud!"Joanna Cotten on NEW! Artists to Watch |
| 07/06/2007 |
| |
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